Difference between revisions of "Life in the Cocoon - Continuous Partial Attention"
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| − | + | Out of place artifacts persist in the excavation of ancient cities, while general displacement is rampant in modern metropolises by way of newfangled techno-accessories. Bi-pedal humanoids seek refuge in continuous partial attention. Free from the immobility of desktop computing, while subject to local anesthesia, a numbness to the immediate world (this is a quote from an art gallery show). | |
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| − | Out of place artifacts persist in the excavation of ancient cities, while general displacement is rampant in modern metropolises by way of newfangled techno-accessories. Bi-pedal humanoids seek refuge in continuous partial attention. Free from the immobility of desktop computing, while subject to local anesthesia, a numbness to the immediate world. | + | |
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Animals everywhere are drawn to urban environments to make their nests, a form of adaptation in hostile environments. Why should anyone wonder differently about bi-pedal humanoids seeking refuge in continuous partial attention? | Animals everywhere are drawn to urban environments to make their nests, a form of adaptation in hostile environments. Why should anyone wonder differently about bi-pedal humanoids seeking refuge in continuous partial attention? | ||
[http://metaphortean.wordpress.com/2009/06/10/confusion-is-nest/] | [http://metaphortean.wordpress.com/2009/06/10/confusion-is-nest/] | ||
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Latest revision as of 09:49, 21 November 2010
Out of place artifacts persist in the excavation of ancient cities, while general displacement is rampant in modern metropolises by way of newfangled techno-accessories. Bi-pedal humanoids seek refuge in continuous partial attention. Free from the immobility of desktop computing, while subject to local anesthesia, a numbness to the immediate world (this is a quote from an art gallery show).
Animals everywhere are drawn to urban environments to make their nests, a form of adaptation in hostile environments. Why should anyone wonder differently about bi-pedal humanoids seeking refuge in continuous partial attention? [1]
